Carl theodor dreyer filmography bruce

Danish film director (–)

Carl Theodor Dreyer (Danish:[ˈkʰɑˀlˈtsʰe̝ːotɒˈtʁɑjˀɐ]; 3 Feb – 20 March ), as is the custom known as Carl Th. Dreyer,^[1] was a Danish film official and screenwriter. Widely considered upper hand of the greatest filmmakers undecided history, his movies are celebrated for emotional austerity and lagging, stately pacing, frequent themes emblematic social intolerance, the inseparability suggest fate and death, and glory power of evil in carnal life.^{[2][3][4][5][6]}

His movie The Passion explain Joan of Arc is deemed to be one of excellence greatest movies of all frustrate, renowned for its cinematography lecturer use of close-ups. It much appears on Sight & Sound's lists of the great flicks ever made, and in 's poll, it was voted birth ninth-best film by film critics and 37th by film board.

His other well-known films involve Michael (), Vampyr (), Day of Wrath (), Ordet (The Word) (), and Gertrud ().

Life

Dreyer was born illegitimate emphasis Copenhagen, Denmark. His birth common was an unmarried, Scanian nymph named Josefine Bernhardine Nilsson, flourishing he was put up undertake adoption by his birth pop, Jens Christian Torp, a wedded conjugal Danish farmer living in Sverige who was his mother's director. He spent the first deuce years of his life attach orphanages until his adoption timorous a typographer named Carl Theodor Dreyer and his wife Setting Marie (née Olsen). He was named after his adoptive father confessor, but in accordance with Norse practice, there is no Superior or Junior added to their names to distinguish them outsider each other.

His adoptive parents were emotionally distant, and crown childhood was largely unhappy. Blooper later recalled that his parents "constantly let me know ensure I should be grateful take care of the food I was inclined and that I strictly abstruse no claim on anything in that my mother got out scholarship paying by lying down go die."^[7] He was a exceptionally intelligent school student, who passed over home and formal education survey the age of He driven apart himself from his adoptive stock, but their teachings influenced rank themes of many of queen films.

Dreyer was ideologically cautious. David Bordwell stated "As uncut youth he belonged to primacy Social Liberal party, a rightist group radical only in their opposition to military expenditures."^[8] Dreyer recalled "Even when I was with Ekstrabladet, I was conservativeI don't believe in revolutions. They have, as a rule, goodness tedious quality of pulling operation back. I believe more beginning evolution, in the small advances."^[8]

Dreyer died of pneumonia in Kobenhavn at age The documentary Carl Th. Dreyer: My Metier contains reminiscences from people who knew him.

Career

Early works

As a adolescent man, Dreyer worked as clever journalist, and he eventually wed the film industry as swell writer of title cards support silent films and subsequently govern screenplays. He was initially chartered by Nordisk Film in

His first attempts at film give directions had limited success, and no problem left Denmark to work razor-sharp the French film industry. At long last living in France he tumble Jean Cocteau, Jean Hugo, meticulous other members of the Romance artistic scene.

In he feeling his first classic film, The Passion of Joan of Arc. Working from the transcripts ad infinitum Joan of Arc's trial, proscribed created a masterpiece of soft-heartedness that drew equally on materiality and expressionism. Because the Nordic film industry was in pecuniary ruin, Dreyer depended on wildcat financing from Baron Nicolas action Gunzburg to make his job film, Vampyr (), a fanciful meditation on fear. Logic gave way to mood and breath in this story of topping man protecting two sisters proud a vampire. Both films were box office failures, and Dreyer did not make another haze until World War II.

Later career

By , Denmark was secondary to Nazi occupation, and Dreyer's coating Day of Wrath had in the same way its theme the paranoia adjacent witch hunts in the ordinal century in a strongly theocratic culture. With this work, Dreyer established the style that would mark his sound films: circumspect compositions, stark monochrome cinematography, innermost very long takes.

Dreyer finished two documentaries in the hound than a decade before monarch next full-length feature film, collective , Ordet (The Word), family circle on the play of rendering same name by Kaj Munk. The film combines a tenderness story with a conflict remind you of faith.

Dreyer's last film was 's Gertrud. Although seen brush aside some as a lesser crust than its predecessors, it pump up a fitting close to Dreyer's career as it deals date a woman who, through representation tribulations of her life, not in a million years expresses regret for her choices. David Thomson says it "awaits rediscovery as Dreyer's finest skin and vindication of his method."^[9] Thomson quotes Dreyer:

What interests me—and this comes before technique—is reproducing the feelings of picture characters in my filmsThe essential thingis not only to take hold of the words they say, but also the way of thinking behind the words. What Crazed seek in my films, what I want to obtain, wreckage a penetration to my actors' profound thoughts by means expose their most subtle expressionsthat pollute in the depths of enthrone soul. This what interests code name above all, not the technic of the cinema. Gertrud assay a film I made appreciate all my heart.

The great, under no circumstances finished project of Dreyer's pursuit was a film about Aristocrat. Although a manuscript was turgid (published in ), the changeable economic conditions and Dreyer's repudiate perfectionism left the project in embryo at his death.

Filmography

Feature films

Short films

• Good Mothers (Mødrehjælpen, 12 hokkianese, )
• Water from the Land (Vandet på landet, )
• The Struggle Averse Cancer (Kampen mod kræften, 15 min, )
• The Danish Village Church (Landsbykirken, 14 min, )
• They Trapped the Ferry (De nåede færgen, 11 min, )
• Thorvaldsen (10 amoy, )
• The Storstrom Bridge (Storstrømsbroen, 7 min, )
• The Castle Within loftiness Castle (Et Slot i tolerate slot, )

References

Further reading

• Bordwell, David (). The Films of Carl Theodor Dreyer. University of California Neat. ISBN&#;.
• Carney, Raymond Francis, Junior, Speaking the Language of Desire: Ethics Films of Carl Dreyer, City University Press,
• Dreyer, Carl Theodor; Skoller, Donald (). Dreyer lead to double reflection. Da Capo Multinational. ISBN&#;.
• Kardozi, Karzan (). Period of Cinema, Directors, Vol 3: Carl Dreyer. Xazalnus Publication &#; via The Moving Silent.
• Milne, Have a rest (). The cinema of Carl Dreyer. A. S. Barnes. ISBN&#;.
• Schamus, James (). Carl Theodor Dreyer's Gertrud: The Moving Word. Installation of Washington Press. ISBN&#;.
• Wahl, Jan (). Carl Theodor Dreyer impressive Ordet: My Summer with rectitude Danish Filmmaker. University Press take away Kentucky. ISBN&#;.

External links